A Frightening, But Weirdly Bloodless, Episode

As MGM’s thrilling horror saga, From, nears its finale, the stakes have never been higher. Sunday night’s episode kept me glued to the screen, heart racing until the credits rolled. Beware of spoilers ahead.

Amidst the chaos in Fromville, our protagonists are desperately searching for an escape route:

  • Boyd and the other core characters are trying to figure out a way to get into the tunnels and save the dead children entombed there. Boyd’s latest plan is to test out one of the spears from the lake settlement and see if it can kill the townsfolk monsters. Jade is drawing a map with wires to visualize the tunnels.
  • Colony House is a den of activity. Donna is still on bedrest after her near-fatal heart attack. Fatima is still building her golem. A group led by Acosta (who hasn’t been bad since her little ambulance tantrum) is going through the basement and the diner’s storage room to find clues about the Man in Yellow and Jade and Tabitha’s previous incarnation.
  • Tabitha, meanwhile, is helping Victor try to find information about the Man in Yellow, which I’ll return to momentarily.
  • The Man in Yellow is currently not a man or in yellow, but rather the super creepy girl, Sophia. She’s so creepy and evil and sus that I’m not sure how nobody has at all suspected her of anything yet. That dam has to break soon, I imagine. More on Sophia and one super interesting tidbit below.
  • Finally, we have Henry. Henry started going downhill when he learned about the Man in Yellow killing and eating his wife. Then Sophia put a drop of her (its?) blood in his drink and his alcoholism combined with that black magic has him seeing things. Specifically, he’s having visions of being hooked up to life support, including one vision that had him waking briefly in the “real world” and seeing Victor there.

Henry’s predicament mirrors the tragic fate of Boyd’s wife. She believed everything was just a dream and that the dream’s death would bring awakening. Now, Henry is treading a similar path, doubting reality and contemplating if he’s merely in a coma. The appearance of Victor adds a sinister twist—could it mean his family never vanished but that he’s been unconscious all along while they’re alive and well?

While I sympathize with Henry’s struggle, his actions are increasingly frustrating. He vowed to be there for Victor, promising to be the paternal figure Victor never had. Yet, one unsettling revelation sends him spiraling. Remember, Henry, Victor endured isolation and fear for years, witnessing horrors. Your self-pity is hard to justify. Once a fan of Henry, I’ve grown more frustrated with him than with Acosta. My empathy lies with Victor.

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