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Could you hear the collective sigh of relief across Hollywood?
After a dismal start to 2025, the box office has finally — at long last! — started to exhibit signs of life.
That’s thanks to the blockbuster success of “A Minecraft Movie,” a PG action-comedy starring Jack Black and Jason Momoa. The film, Warner Bros. and Legendary’s big screen take on the popular video game, has obliterated expectations by opening to $157 million domestically and $301 million globally. Those ticket sales rank as the biggest debut of the year, as well as the best in history for a game-to-film adaptation.
“It’s a real hit in the center of the bullseye,” said Warner Bros. global distribution chief Jeff Goldstein. “This is something the industry needed like air.”
Goldstein is optimistic that “Minecraft” will help turn the box office tides. Fortunes have already begun to shift. Prior to this weekend, box office revenues were nearly 11% behind last year and 40% behind 2019, according to Comscore. Now the gap has shrunk to 5.3% behind 2024 and 35% behind 2019.
“It’s no question that one movie can change the trajectory of the marketplace,” Goldstein says.
It’s not just Hollywood, but Warner Bros. in particular, that badly needed a win. First, there’s the rampant speculation that Warner Bros. Discovery CEO wants to replace the studio’s co-chiefs Michael de Luca and Pam Abdy. Then, there’s the reality that Warners has endured a rocky few months after back-to-back theatrical misfires of Robert De Niro’s “The Alto Knights” and Bong Joon Ho and Robert Pattinson’s “Mickey 17.” Up next, the studio has “Sinners,” a $90 million R-rated vampire thriller from “Black Panther” and “Creed” collaborators Ryan Coogler and Michael B. Jordan, before James Gunn’s “Superman” drops later in the summer.
Jared Hess (“Napoleon Dynamite,” “Nacho Libre”) directed “A Minecraft Movie,” which follows a group of misfits who are pulled through a portal into a cubic world and guided by an expert crafter named Steve (Black). Critics were mixed on the film but opening weekend crowds were enthusiastic, awarding a “B+” grade on CinemaScore and four out of five stars in PostTrak exit polls. That’s promising in terms of box office staying power for “Minecraft,” which cost $150 million to produce before global marketing expenses.
Before Warner Bros. and Legendary start laying the bricks for the inevitable sequel (this is Hollywood, after all), here are five takeaways from “Minecraft’s” massive box office debut.
All-audience appeal
Is Jack Black the secret sauce for game-to-screen adaptations? After all, he played professor Shelly Obero in 2017’s “Jumanji: Welcome to the Jungle” and 2019’s “Jumanji the Next Level” and voiced Bowser in “The Super Mario Bros. Movie” before channeling the expert crafter called Steve in “Minecraft.” (He was also Claptrap in last year’s flop “Borderlands,” so maybe don’t give this theory too much weight.) Whatever the driving force, it wasn’t just video game buffs, but general audiences too, who turned out in force for “A Minecraft Movie.” Making a film that’s so universally appealing was the difference between mere success and unmitigated sensation. With sustained excitement and repeat viewings, “Minecraft” could be the year’s first billion-dollar blockbuster.
“The film is drawing like a coveted five-quadrant movie, appealing broadly to everyone — younger and older adults, as well as young teens and kids,” says David A. Gross, who runs the FranchiseRe movie consulting firm. “When a release catches fire like this, it generates its own momentum and you can set aside all projections.”
Marketing tie-ins galore
And you thought “Barbie” had a lot of product integrations? For “A Minecraft Movie,” Warner Bros. worked with a whopping 45 brands, including McDonalds, Doritos and Oreo, to sell all kinds of people on the video game adaptation. Some of those products include green milk, an adult “Block Meal” at Mickey D’s and branded Poppi soda. Basically, there was no escaping Steve and company at the grocery store. The campaign resulted in the largest third-party partnership in Warner Bros. history, a true feat considering the studio also deployed a seemingly inescapable pink marketing machine to hawk “Barbie.” Comscore analyst Paul Dergarabedian says the ubiquitous promotions helped “put the film front and center with the target audience of kids and families.”
Pent-up demand
After disasters and disappointments of all shapes and sizes — from franchise fare like “Captain America: Brave New World” and “Snow White” to original swings such as “Mickey 17” and “The Alto Knights” — the box office was desperate for a hit. Enter “Minecraft,” which exploded in popularity in part because there’s been absolutely nothing enticing on the big screen for months. Of course, Warner Bros didn’t know that would be the case when the studio dated the movie a few years ago. However, Goldstein’s distribution team strategically positioned the movie to open ahead of spring break, when plenty of kids have time off from school. “The date choice was deliberate,” says Goldstein.
Now, summer tentpoles like Marvel’s “Thunderbolts,” DC’s “Superman,” Tom Cruise’s “Mission: Impossible – The Final Reckoning” and Disney’s “Lilo & Stitch” remake need to sustain the foot traffic from “Minecraft” and keep chipping away at this year’s box office deficit.
“The domestic box office has been asleep in 2025, and this is an overdue wakeup,” says Gross. But, these high highs and low lows aren’t helpful in the long run, he adds. “What the box office needs is consistency.”
Video game boom
At one point, successfully mining a video game for theatrical was more difficult than procuring an Ender Dragon Egg. That’s why even though “Minecraft” was based on one of the best-selling games in history, it didn’t mean the film version was preordained for blockbuster status. (Just ask the backers of “Borderlands” and the original 1993 “Super Mario.”)
However, Hollywood seems to be getting the hang of this game-to-screen thing. “Minecraft” extends the streak of box office winners like “The Super Mario Bros. Movie,” “Five Nights at Freddy’s,” “Sonic the Hedgehog” and Tom Holland’s “Uncharted.”
In the case of “Minecraft,” Legendary Entertainment spent over a decade developing the film (and later brought Warner Bros. into the fold), working closely with the game’s creators at Mojang Studios and Microsoft to stay true to the source material without alienating people who weren’t familiar with the block-building adventure.
“Mojant and Microsoft were on the ground [during production] in New Zealand and were there to the finish, through the marketing campaign,” says Legendary Entertainment’s chair Mary Parent. “They helped shape a lot of the film with us. They understand their community.”
Producers also cycled through many, many directors before landing on Hess. “The film is joyous. There’s nothing cynical about it,” Parent adds. “That’s something our director and cast really understood.”
“Minecraft,” described as a sandbox-style game, has the added challenge of narrative ambiguity; there’s no storyline or single way to play it. Instead, the film’s producers focused on key themes like creativity and community to bring the cubic world to life.
“We had a lot of trial and error along the way. It took a while to tell the right story with the right team,” said Jesse Ehrman, Warner Bros. president of production and development. “There’s something special about the way people connect with the game. We knew if we could harness the same love and humor and creativity in a cinematic experience, the potential would be limitless.”
Social media supernova
Does the phrase “chicken jockey” mean anything to you? If the answer is no, then congratulations because you likely don’t lose half your day to mindless scrolling on TikTok. Well, allow us to explain. Viral videos have been circulating online of people ranking the movie’s best line (“I yearned for the mines” is among the favorites) and moviegoers erupting into spontaneous cheers and hollers over some particularly silly scenes (like when Black and Momoa’s characters face off in the boxing ring against a baby zombie riding a wacky bird, allowing the “chicken jockey” to commence). Such trends like #GentleMinions from “Minions: The Rise of Gru,” where moviegoers filmed themselves wearing suits to the multiplex, have stoked positive word-of-mouth after taking off organically.
“I’ve been off of Instagram for nine months because I get too addicted,” admits Warner Bros.’ Ehrman. “But I keep getting sent these videos, and it’s really satisfying. Theatrical moments can spread like crazy.”
They certainly helped “A Minecraft Movie” re-ignite the box office.