A host of famous faces descended on Cannes Film Festival’s iconic red carpet for The Phoenician Scheme’s very star-studded premiere on Sunday night.

Leading lady Mia Threapleton headlined the stylish arrivals in a dramatic dark green gown as she posed up a storm for the cameras.

The 24-year-old daughter of Kate Winslet amazed in a strapless dress, featuring an embroidered orange flower pattern and a statement-making structured skirt.

Elsewhere Eva Longoria, 50, continued her jam-packed Cannes schedule as she arrived wearing a glitzy light pink gown.

British actress Daisy Edgar-Jones, 26, captured attention in a floor-sweeping dark red sequined gown, accentuated by a stunning silver necklace as she arrived.

The Wes Anderson film marks the director’s fourth picture to compete for the Palme d’Or. 

On the red carpet, Halle Berry caught eyes in a striking white and black sequin-adorned trouser suit, and Julianne Moore exuded her usual elegance in a black one-shoulder dress.

Carla Bruni meanwhile looked red hot in a velvet dress which showed off her legs while Benedict Cumberbatch and his wife Sophie Hunter put on a loved-up display.

The Phoenician Scheme is the most the star-studded film that has premiered at this year’s Cannes so far, but this is no surprise with legendary director Anderson at the helm.

Leading the cast is Benicio del Toro, who plays wealthy businessman Zsa-zsa Korda, who appoints his only daughter, a nun as the sole heir to his estate.

However, as Korda embarks on a new enterprise, they soon become the target of scheming tycoons, foreign terrorists and determined assassins.

Mia stars Sister Liesl, and she joins Michael Cera, Riz Ahmed, Tom Hanks, Bryan Cranston, Richard Ayoade, Jeffrey Wright, Scarlett Johansson, Benedict Cumberbatch, Rupert Friend and Bill Murray.

The film is set to be released in the US on May 30, with hopes it could become Anderson’s next big Oscars contender, following his success with The Grant Budapest Hotel in 2014.

His last big effort, Asteroid City, failed to make a splash at the Oscars, despite being nominate for Cannes’ Palm D’Or.

This year’s Cannes Film Festival is taking place in the wake of Trump’s vow to enact tariffs on international films.

Cannes, where filmmakers, sales agents and journalists gather from around the world, is the Olympics of the big screen, with its own golden prize, the Palme d´Or, to give out at the end. 

Filmmakers come from nearly every corner of the globe to showcase their films while dealmakers work through the night to sell finished films or packaged productions to various territories.

‘You release a film into that Colosseum-like situation,’ says Brazilian director Kleber Mendonça Filho, who’s returning to Cannes with The Secret Agent, a thriller set during Brazil’s dictatorship. 

‘You’ve got to really prepare for the whole experience because it’s quite intense – not very far from the feeling of approaching a roller coaster as you go up the steps at the Palais.’

Trump sent shock waves through Hollywood and the international film community when he announced on May 4 that all movies ‘produced in Foreign Lands’ will face 100% tariffs.

The White House has said no final decisions have been made. Options being explored include federal incentives for U.S.-based productions, rather than tariffs. But the announcement was a reminder of how international tensions can destabilize even the oldest cultural institutions.

The Cannes Film Festival originally emerged in the World War II years, when the rise of fascism in Italy led to the founding of an alternative to the then-government controlled Venice Film Festival. 

In the time since, Cannes’ resolute commitment to cinema has made it a beacon to filmmakers. Countless directors have come to make their name.

This year is no different, though some of the first-time filmmakers at Cannes are already particularly well-known. Kristen Stewart (The Chronology of Water), Scarlett Johansson (Eleanor the Great) and Harris Dickinson (Urchin) will all be unveiling their feature directorial debuts in Cannes´ Un Certain Regard sidebar section.

Many Cannes veterans will be back, too, including Tom Cruise (Mission: Impossible – The Final Reckoning), Robert De Niro – who’s to receive an honorary Palme d’Or 49 years after Taxi Driver premiered in Cannes – and Quentin Tarantino, to pay tribute to low-budget Western director George Sherman.

The much-anticipated eighth and final instalment of Mission Impossible is one of the earlier premieres on this year’s Cannes calendar, with its glitzy red carpet taking place on Wednesday, May 14. 

Meanwhile Scarlett’s directorial debut Eleanor The Great, will be unveiled on May 20.

However, in the wake of his legal battle with former co-star Blake Lively, Justin Baldoni is not expected to attend. 

Over recent years the star-studded extravaganza has arguably won more attention for the outfits worn by its celebrity guests than the roster of feature films being screened on the Croisette. 

But new nudity rules, devised for ‘the sake of decency,’ have been implemented at this year’s festival.  

According to organisers, the austere move is an attempt to stifle the celebrity trend for ‘naked dresses’ – namely provocative outfits that reveal considerably more than they conceal – on the red carpet.

‘For decency reasons, nudity is prohibited on the red carpet, as well as any other area of the festival,’ states a Cannes festival document.

‘The festival welcoming teams will be obligated to prohibit red carpet access to anyone not respecting these rules.’ 

The surprise new policy features in a recent festival-goers charter – released with a series of outlines regarding expected public behaviour. 

Guests are expected to converge on the Grand Auditorium Louis Lumière for some of the highest profile film screenings across a packed two-week schedule in Cannes. 

It’s understood that the iconic venue now adopts a more conservative dress code, with suits, dinner jackets and floor-length evening gowns generally favoured over headline grabbing ensembles. 

Classic little black dresses, cocktail dresses, pant-suits, dressy tops and elegant sandals, ‘with or without a heel’, will also be permitted.  

While the decision to implement a more stringent policy will be a first, it is not known if French TV broadcasters, wary of airing nudity, played a role in its enforcement. 

Major red carpet events, including the Cannes Film Festival, are aired in France by France Télévision.

Recently attracting more models and influencers than actors and filmmakers, the annual ceremony has seen an increase in risqué red carpet fashion statements. 

In 2021, American supermodel Bella Hadid bared her cleavage in a  plunging black gown while attending a screening of Tre Piani (Three Floors).

She pulled a similar stunt three years later, with guests at the 2024 gala left speechless after she attended the premiere of Donald Trump biopic The Apprentice completely braless beneath a sheer brown evening dress.