PARIS – Amidst a backdrop of flashing lights that hinted more at grit than glamour, Alessandro Michele’s latest Valentino collection embraced subtlety where there used to be chaos. Prim ’70s elements like bows, ruching, and velvet skirts infused a nostalgic yet controlled vibe throughout Paris Fashion Week.

The standout piece was a gold gown draped elegantly and accentuated with a feathered white collar, reminiscent of legends and Valentino’s Roman legacy. A mix of polka-dot blouses, satin skirts featuring bold yellow slashes, and unexpected color combinations sustained a lively spirit, albeit lacking the explosive energy Michele previously showcased.

The central theme of this presentation was about editing down rather than extravagant displays. Michele’s earlier Valentino endeavors, and even his Gucci collections, thrived on overflow — layers of tassels, turbans, ruffles, and myriad references. This time, however, the designs took on a more refined shape with minimized styling. The outcome was that the pieces felt more accessible, though perhaps less extraordinary.

Valentino’s signature lies in its elegance and sophistication. Under its founder, Valentino Garavani, the brand epitomized elite luxury with iconic “Valentino red.” With designer Pierpaolo Piccioli, this was transformed into couture-like finesse. Michele entered the scene bringing with him the idea of maximalist nostalgia, innovative gender-fluid styles, and a deep dive into archival inspirations. He aimed to modernize history, ensuring that the brand remains timely without becoming stagnant.

Initial seasons made their mark. Last year’s collection overflowed with bows, ruffles, tassels, turbans, and rich embroideries, with accessories overstated and the settings theatrical. The January couture show pushed boundaries even further, with crinolines, panniers, Felliniesque Roman themes, and extensive references to classic Hollywood and church motifs. This showcased the brand’s scope but risked turning into mere costume.

Michele has also ventured to anchor Valentino in everyday wear, introducing items like tweed pants, V-neck sweaters, faux-fur coats, alongside quirky pieces like porcelain cat clutches and feline-themed dresses. This challenging balance between practicality and fantasy is the puzzle he continues to explore and refine.

By contrast, the latest collection looked almost cautious. It captured Michele’s instinct for eclecticism, but in a neater, safer key. This wasn’t the shock of the new or the ecstasy of his earlier showings. Instead, it was a quieter chapter, proof that Michele is capable of restraint.