There is no evidence to suggest that Kendrick Lamar and Taylour Paige are involved in a romantic relationship. On the other hand, they are both featured on his newest track, titled “We Cry Together.”

The album Mr. Morale & the Big Steppers is a double album. This song can be found on the first disc of the album. The music on the album is distributed across two discs, and each disc has nine individual tracks.

Lamar’s double album has collaborations with artists such as Blaxst, Sampha, Amanda Reifer, Summer Walker, and Taylor Paige. The first half of the album also contains Ghostface Killah. While other rap artists like Baby Keen and Kodak Black contribute to the second disc together.

Although Taylour and Kendrick have only worked together on one song for this album, there is a possibility that they will work together on further songs in the future.

The relationship between Jesse Williams and Taylour Paige has ended, and all indications point to the fact that it has been finished for some time. When Taylour was nominated for the Film Independent Spirit Awards for the very first time, her performance in Zola garnered a lot of praise, and the movie put her in the running for an Oscar.

Jesse is one of the people who didn’t offer his congratulations to the actress. Over the course of more than a year, the two were inseparable and appeared at a variety of events together. It would appear that the last event they went to together was the Vanity Fair Oscar Party, which took place in February of 2020.

Throughout the duration of the pandemic, the couple was seen together carrying out various tasks and walking their dogs. The couple, who had previously displayed a large number of photographs of each other on their grid, seemed to have removed any evidence of the other from their respective accounts. As if things couldn’t get any worse, the exes have decided to stop following each other on Instagram.

The question of whether or not Kendrick Lamar is gay cannot be answered at this time. As of this moment, he has not provided any further commentary on the matter.

Kendrick Lamar’s ability to recognize and critique his own biases and prejudices, while also maintaining a level of humility that prevents him from elevating himself above the individuals he singles out, is one of the rapper’s greatest strengths.

Even though the song itself makes some linguistic errors, such as deadnaming and misgendering, it is possible to argue that the self-reflection, growth, and learning that are displayed through Lamar’s lyrics are positive steps for a leader in the hip hop community to take.