What is Rachel Sennott’s Net Worth?
Rachel Sennott is an American actress, comedian, writer, and producer with an estimated net worth of $2 million.
Sennott is widely recognized for her breakout turn in “Shiva Baby,” her standout performance in A24’s horror-comedy “Bodies Bodies Bodies,” and her work co-writing and starring in the queer teen comedy “Bottoms” alongside director Emma Seligman. Before becoming a fixture in indie film, she cultivated a following through stand-up, Twitter, and digital comedy, shaping a persona that was anxious, sharply self-aware, and deliciously chaotic. Rather than entering the spotlight through major franchises or superhero projects, Sennott built her profile through festivals, social media, independent cinema, and emotionally raw stories centered on sex, ambition, friendship, and insecurity. Her career took another major step forward with HBO’s “I Love LA,” a comedy series she created, wrote, produced, and starred in, confirming her as both a performer and a showrunner with a distinctive comedic perspective.
Early Life
Rachel Anne Sennott was born on September 19, 1995, in Simsbury, Connecticut. Raised in a Catholic household, she attended Simsbury High School before continuing her education at New York University’s Tisch School of the Arts, where she trained in acting.
During her time at NYU, Sennott gravitated toward comedy and began testing material at open mics. She also appeared in student films while refining the candid, anxious, hyper-specific style that would become central to her appeal. Her first real audience formed through live sets and social media posts, where she joked about dating, friendships, self-doubt, sex, social posturing, and the strange pressures of trying to make it as an artist in New York.
Comedy and Early Work
Her early professional years were a blend of stand-up, short films, online sketches, and small acting jobs. Sennott became closely linked to a wave of comics and performers who treated Twitter and short-form internet content not just as promotional tools, but as places to experiment, build a voice, and get noticed.
She teamed with Ayo Edebiri to co-create and co-star in “Ayo and Rachel Are Single,” a Comedy Central digital series focused on dating and friendship. The series helped position both women as rising comedic talents ahead of their larger mainstream breakthroughs. Sennott also began appearing in scripted television, including roles on “High Maintenance” and “Call Your Mother,” as she transitioned from the comedy scene into more traditional screen work.
“Shiva Baby” Breakthrough
Sennott’s major breakthrough arrived with “Shiva Baby,” written and directed by Emma Seligman. Originally made as a short film, the project was later expanded into a 2020 feature. Sennott played Danielle, a college student whose attendance at a shiva with her parents spirals into an intense collision of family pressure, sexual secrecy, financial anxiety, and romantic humiliation.
“Shiva Baby” earned strong critical praise and made Sennott one of indie film’s most exciting new faces. Much of the movie’s tightly wound, cringe-comedy tension rested on her ability to move between panic, wit, shame, and vulnerability. The film also cemented her creative relationship with Seligman, a collaboration that would become one of the defining partnerships of Sennott’s career.
(Photo by Jamie McCarthy/Getty Images)
“Bodies Bodies Bodies” and “Bottoms”
In 2022, Sennott reached a wider audience with “Bodies Bodies Bodies,” an A24 horror-comedy directed by Halina Reijn. She played Alice, a podcast-hosting, trend-obsessed partygoer whose one-liners and self-involved panic made her one of the movie’s most memorable characters. The film helped cement Sennott’s reputation as a performer who could make satire feel both ridiculous and painfully recognizable.
She reunited with Emma Seligman for “Bottoms,” released in 2023. Sennott co-wrote the film with Seligman and starred opposite Ayo Edebiri as one of two unpopular queer high school students who start a fight club as a way to get closer to cheerleaders. The film became a cult hit and further established Sennott as both an actress and writer. Its mix of violence, absurdity, horniness, queer comedy, and teen-movie parody made it one of the most distinctive comedies of its year.
Television, “Saturday Night,” and “I Love LA”
Sennott’s television and film career continued expanding after “Bottoms.” She appeared in “The Idol,” the HBO drama created by Sam Levinson, Abel “The Weeknd” Tesfaye, and Reza Fahim. She also played comedian and writer Rosie Shuster in “Saturday Night,” Jason Reitman’s film about the chaotic lead-up to the first episode of “Saturday Night Live.”
Her biggest creative step came with “I Love LA,” the HBO comedy series she created, wrote, produced, and starred in. Sennott played Maia, a young talent manager trying to build a life and career in Los Angeles while dealing with friendship, ambition, jealousy, social media, and the return of a chaotic former friend played by Odessa A’zion. The series gave Sennott a broader canvas for the themes that had already defined her work: messy female friendship, self-invention, internet-age anxiety, and the embarrassing gap between who people are and who they pretend to be.
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