ATHENS – Christopher Nolan’s “The Odyssey” arrives Friday amid worldwide anticipation and some debate over its casting. In Greece, however, the question is less whether the film should exist than how a story so deeply embedded in the culture will be reimagined this time.
Adaptations of classic works often invite arguments over faithfulness to the original. But in a country where Homer’s epic is studied in school and retold from generation to generation, many Greeks see reinvention as part of the poem’s endurance. For nearly 3,000 years, “The Odyssey” has survived not by remaining untouched, but by being continually rediscovered.
“What we want children to understand is that every new creation is exactly that — a new creation,” Filippos Mantzaris, who teaches “The Odyssey” to seventh graders, told The Associated Press.
Nolan’s film, led by Matt Damon as King Odysseus and featuring a roster of Hollywood names, follows the broad path of Homer’s tale: a war-weary king struggling to return home, crossing a world of gods and monsters, only to find his palace occupied by rivals.
Greek students grow up debating Homer
Across Greece, “The Odyssey” is a standard part of the seventh-grade curriculum.
In Mantzaris’ classroom, the epic is not treated as a distant museum piece. Students discuss Odysseus’ clashes with monsters and the choices he makes along the way, weighing his cunning against his physical strength. They consider whether revenge can be moral, whether the battle-tested king should be seen as a model to follow, and whether the killing of his wife’s suitors can be justified. Through role-playing exercises, they are asked to imagine how they might act in his place.
“It’s an amazing literary text, with which children can identify, perhaps see Odysseus in themselves, but also see their own homeland,” Mantzaris said.
Kyriakos Agapiou, 12, said reading the poem in Mantzaris’ class taught him: “That everything is possible and we should never give up.”
Farm scientist Nikos Varelas attended a stage adaptation with his 4-year-old son, after the pair read youth versions of both “The Iliad” and “The Odyssey” together.
“It is our duty as parents, as Greeks,” Varelas said.
Interpreting the story as theater, said actor Manos Pintzis, who portrayed Odysseus in the local production, helps children discover mythology in a way books alone cannot.
“You don’t tell a child, ‘Just read the story because you have to,’ because the child will resist when something is forced on them,” Pintzis said. “When the child sees all of this unfolding before their eyes — that becomes a valuable step toward learning, to willingly learn what they’re expected to study.”
Greeks are used to foreigners playing their heroes
In conservative circles in the U.S., much of the attention has focused on Nolan’s casting choices rather than his adaptation of Homer’s story.
Elon Musk claimed Nolan had desecrated “The Odyssey” after Black actor Lupita Nyong’o was picked as Helen of Troy — despite not having seen the movie. Conservative commentators including Matt Walsh argued the film prioritized identity politics, echoing past fan criticisms of sci-fi and fantasy reboots that cast Black and Latino actors as beloved characters of a different race or ethnicity.
In an interview with The Telegraph, Nolan said backlash “comes with the territory,” adding “these conversations that happen before people see the film — they’re always irrelevant, because no one having them knows what the film actually is yet.”
Nolan told the AP he wanted to make the film accessible and relatable, and “not look back to sort of past Hollywood versions of how to take on the ancient world.”
“You want to question people’s assumptions about how things should be portrayed in movies and what those are based on,” he said of his overall approach to the film. “There’s a challenge to that and a risk to that. But my hope is that by creating a cohesive world, people understand the world as they watch the movie and they feel they understand it.”
The controversy hasn’t found much purchase in Greece, where people are used to foreigners playing ancient Greeks.
Scotsman Gerard Butler bellowed “This is Sparta!” as King Leonidas in “300.” Oklahoma-born Brad Pitt played Achilles in “Troy.” Ireland’s Colin Farrell starred as Alexander the Great alongside Angelina Jolie as his mother.
Anthony Quinn’s performance in “Zorba the Greek” way back in 1964 remains one of Greece’s most beloved screen portrayals of a Greek character.
Nolan’s version continues the tradition with a star-filled cast including Nyong’o, Damon, Tom Holland, Anne Hathaway, Robert Pattinson, Zendaya and Charlize Theron, with narration from rapper Travis Scott.
In Greece, the small nationalist party Niki objected to the casting and a Greek government decision to provide roughly 6 million euros ($6.9 million) in subsidies to support local production. The party said Greek taxpayers were funding an imposition of “woke-type ideology” on Greek history and cultural identity, citing Musk.
Culture Minister Lina Mendoni offered a blunt rebuttal.
“It is not the state’s role to dictate to a creator how they should artistically interpret a work or a myth,” she told the Greek popular culture magazine, Lifo. “Can we seriously be having a conversation about whether the state should censor Christopher Nolan?”
History’s great stories survive through retelling
Christos Tsagalis, professor of ancient Greek literature at the Aristotle University of Thessaloniki, said it’s ultimately up to moviegoers to judge whether the latest interpretation of “The Odyssey” works. What matters, he said, is whether it captures something fundamental about one of history’s great stories.
Homer’s works — retold and reinterpreted across generations — have endured by becoming universal, he said.
“I think it’s wonderful that something that is created at a specific point in time by a given people is shared by so many people across the globe … It’s shared culture,” Tsagalis said.
“It’s a fascinating story,” he said. “It is like a movie.”
