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Cedric Marika has been attending Garma since infancy.
“Since I was a baby,” the Rirratjiŋu man shares with NITV.
It’s a cherished time that he always looks forward to.

This year marks the 25th anniversary of the Yolŋu festival, hosted on Gumatj Country at the revered site of Gulkula.

GARMA FESTIVAL

Cedric Marika passionately preserves his culture and heritage. He performs traditional dances to ensure the culture thrives for future generations. Source: AAP / JAMES ROSS/AAPIMAGE

A summit of political leaders, business and local community, it’s a chance to discuss opportunities and challenges, and to set an agenda for the coming year.

But above all it’s a display and celebration of the diverse cultures of the Yolŋu clans of Northeast Arnhem Land.

During the evening Buŋgul (ceremony), the festival grounds resonate with the yidaki’s deep tones, as dancers from the community showcase the cultural highlights of Garma Festival.

The air becomes hazy, thick with the red sand of Arnhem Land, flung airborne by the dancers’ bare feet and caught by the setting sun.
For 20 years, Marika has performed in the Buŋgul.
“Since I was 13,” he says.
“That’s when I started performing Buŋgul, and that’s when I earned the respect from the Elders and chosen to be who I am right now.”

Leading the Gumatj clan, which is his maternal lineage, in the Buŋgul, Marika gracefully embodies the essence of cultural dances such as the Emu Dance, with his arms confidently poised behind him, or the Mosquito Dance, mimicking the annoyance of insects with rhythmic body slaps.

GARMA FESTIVAL

Members from the Gumatj clan of the Yolngu people from north-eastern Arnhem Land prepare for the Buŋgul. Source: AAP / JAMES ROSS/AAPIMAGE

Marika describes the feeling of dancing in simple terms.

“I feel connected,” he says.
“I feel connected to the land, to the animals, to the people.
“This has been passed on from generation to generation, to keep it alive.”
Edgar Wells, the Methodist minister who once worked at the Yirrkala mission, described his view of the importance of art to the Yolŋu.

“In an Aboriginal scale of values, a man worthy of a doctorate would … be an artist – the hunter would help to feed the artist.”

Marika is proof of that. His dedication to his people and his culture has seen him anointed for future leadership of the Gumatj.
“I’ve earned that respect from the Elders,” he says.
“By participating different tribes, helping them, and most of all helping my mother’s tribe.”
He has particular concerns about the role of technology in the area.

A consistent element of Garma is the Yothu Yindi Foundation’s drive for increased economic opportunities in the area, alongside a desire to protect cultural traditions.

GARMA FESTIVAL

Both elders and youth contribute to the Bunggul. In its 25th iteration, the festival has witnessed the growth of infants into community leaders. Source: AAP / JAMES ROSS/AAPIMAGE

The opportunities some digital innovations may provide can’t come at the risk of a loss of culture.

“Nowadays, it’s all technology taken over … The worry is that it’s taking over our culture, and might destroy it in the future.
“I’m very, very scared of that.
“So this is the day to get the little ones together, teach them where they belong and what they have.”
Every Buŋgul, Marika does just that, the living embodiment of the chain of cultural heritage going back generations.
Once an enthusiastic youth joining in, now Marika watches over the young djamarrkuli (children) who perform in the Buŋgul, just as he did.
“That is my goal, to help the younger ones, the very younger ones too, so that they don’t forget what we have,” he says.
“Some of them might learn how to sing. Some of them might become a role model like myself.

“There’s a lot of opportunities for the younger ones to step in.”

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