A fascinating example of a stone tula mounted onto a wooden handle using a lump of spinifex resin provides a glimpse into ancient techniques. This ethnographic artifact, captured by Mary-Anne Stone, showcases the ingenuity of its creators. The photograph, attributed to Mary-Anne Stone under a CC BY license, displays the detailed craftsmanship involved in these tools.
In addition to physical exhibits, 3D models of some of these cached stone tulas further highlight their intricate designs. These digital representations, also credited to Mary-Anne Stone, allow for a closer inspection of the tools’ features without risking damage to the originals. Such models are invaluable for educational purposes and for preserving the knowledge of these ancient practices.
Interestingly, historical accounts suggest that unhafted tulas were often exchanged, hinting at a sophisticated trade network. This particular cache might represent a collection of specially crafted artifacts intended for barter. The deliberate creation and exchange of these tools underscore their significance within the community.
The regularity of these findings indicates that the practice of caching unused stone tulas was not random but a consistent tradition. The act of burying these bundles reflects a deeper cultural or economic significance, ensuring that the knowledge and skills embedded in these tools were preserved and passed down through generations.
It’s also reported that unhafted tulas were exchanged, so it’s possible this cache was a bundle of specially made artefacts that were intended for trading.
A uniquely familiar find
It is now clear this caching practice was no fluke. Burying bundles of unused stone tulas was a repeated practice here.
